consolidates the experience in the vanishing point of the underground palace architecture of the Muscovites Metro - a Traumambiente absolutely - that Mutlosigkeit is not strongest, where the courage is put to the test, but, where one establishes monuments as it were to it :

empties a resounding and/or empty resounding, where one quietly places it, while Motorradfahrer Kraft and vain Pudel represent beauty in the prosperity, in truth however rather to Trostlosigkeit?

The balance of Höritzschs pictures becomes delicate by the circumstance the fact that we can never decide exactly, whether by the sudden is broken open penetration of the strange one a pseudo idyllischer condition and exposed rather uncomfortably or whether nevertheless rather desert the ambience unfolds only on the interruption its will to the idyl, whether thus the good old time remembers, those one gladly, also a terrible drawback has or whether this time does not only mediate to its frightening side today so well and so old and so gladly reminded can stand there.