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занятым
Tode
Touch-Tone ˈphone® RZ.
Tastentelefon r.n. <-s, -e>
I. tone [təʊn, Am toʊn] RZ.
1. tone (of instrument):
Klang r.m. <-(e)s, Klän·ge>
2. tone (manner of speaking):
Ton r.m. <-(e)s, Töne>
3. tone (voice):
Stimme r.ż. <-, -n>
4. tone (character):
Ton r.m. <-(e)s, Töne>
tone of the market GIEŁD.
5. tone (of colour):
Farbton r.m. <-(e)s, -töne>
6. tone no pl (of muscles):
Tonus r.m. <-, Toni> spec.
Muskeltonus r.m. spec.
7. tone MUZ. (difference in pitch):
Ton r.m. <-(e)s, Töne>
8. tone (of a telephone):
Ton r.m. <-(e)s, Töne>
Wählton r.m. <-(e)s, -töne>
engaged [or Am busy]tone
Besetztzeichen r.n. <-s, ->
Klingelzeichen r.n. <-s, ->
II. tone [təʊn, Am toʊn] CZ. cz. przech.
III. tone [təʊn, Am toʊn] CZ. cz. nieprzech.
en·ˈgaged tone RZ. Brit
Besetztzeichen r.n. <-s, ->
ˈdial·ling tone RZ. Brit
Wählton r.m. <-(e)s, -töne>
Amtston r.m. <-(e)s, -töne> RFN, austr.
ˈhalf-tone RZ.
1. half-tone:
Halbtonbild r.n. <-(e)s, -er>
2. half-tone Am MUZ. (semitone):
Halbton r.m. <-(e)s, -töne>
ˈflesh-tone PRZYM. Am (flesh-coloured)
ˈearth tone RZ.
Erdfarbe r.ż.
ˈmus·cle tone RZ. no pl
Wpis OpenDict
combination tone RZ.
Wpis OpenDict
whole tone RZ.
whole tone MUZ.
Ganzton r.m.
tone of the market RZ. FIN.
accrual code RZ. PRZETW. TRANS.
access node RZ. IT
securities code RZ. FIN.
general tax code RZ. POD.
code of conduct RZ. PR. GOSP.
German federal budget code RZ. URZ. PAŃSTW.
ISO code RZ. FIN.
ISO-Code r.m.
code-number comparison RZ. CTRL
securities code number RZ. FIN.
sector model RZ.
affluence model [ˈæfluəntsˌmɒdl] RZ.
Hoyt's sector model RZ.
Burgess' concentric model RZ.
model of consumption
Harris and Ullman's multiple nuclei model RZ.
man-made pollution, anthropogenic pollution [ˌænθrəpəʊˈʤenɪk pəˈluːʃn]
side canal RZ.
hide RZ.
storm tide RZ.
node [nəʊd] RZ.
sinoatrial node [ˌsaɪnəʊeɪtrɪelˈnəʊd], pacemaker RZ. ANAT.
frequency code [ˈfriːkwənsiˌkəʊd] RZ.
amplitude code [ˈæmplɪtjuːdˌkəʊd] RZ.
node of Ranvier [ˌnəʊdɒvˈrɒnveɑ] RZ.
atrioventricular node [ˌeɪtrɪəvənˌtrɪkjələˈnəʊd] RZ.
code CZ.
model organism RZ.
functional model
thought model
transport mode
highway code
mode
choice of transport mode BAD.
node
following mode
access mode, feeder mode
balancing model
analogue model
dispersion model
ˈop·er·at·ing mode RZ. TECHNOL.
ˈteach-in mode RZ. electron
ˈcut·ting tool RZ. TECHNOL.
light-em·it·t·ing ˈdi·ode RZ. (LED)
zen·er ˈdi·ode [zenə ˈdaɪəʊd, Am zi:nɚ ˈdaɪoʊd] RZ. electron
Zener-Diode r.ż.
ˈdepth gauge rod RZ. TECHNOL.
ˈpis·ton rod RZ.
Present
Itone
youtone
he/she/ittones
wetone
youtone
theytone
Past
Itoned
youtoned
he/she/ittoned
wetoned
youtoned
theytoned
Present Perfect
Ihavetoned
youhavetoned
he/she/ithastoned
wehavetoned
youhavetoned
theyhavetoned
Past Perfect
Ihadtoned
youhadtoned
he/she/ithadtoned
wehadtoned
youhadtoned
theyhadtoned
PONS OpenDict

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Przykłady jednojęzyczne (niezredagowane i niesprawdzone przez PONS)
The position of the right hand can be used to influence the tone of the sound produced by a classical guitar.
en.wikipedia.org
The common strength training term tone is derived from this use.
en.wikipedia.org
The resulting mix was darker in tone than the original.
en.wikipedia.org
The plot and characters are described, below, using in-universe tone.
en.wikipedia.org
This tone is noticeably shorter than the other tones.
en.wikipedia.org
Przykłady z Internetu (niezredagowane i niesprawdzone przez PONS)
[...]
In film archaeology Thomas Tode presents another example from the German paper cut filmmaker Lotte Reiniger:
www.uni-kiel.de
[...]
In Filmarchäologie präsentiert Thomas Tode ein weiteres Beispiel der deutschen Scherenschnittfilmerin Lotte Reiniger:
[...]
Wednesday, 31 January 2007, 19:00 Das Hochhaus im Film Lecture/film by Thomas Tode, Hamburg
dam-online.de
[...]
Mittwoch, 31. Januar 2007, 19 Uhr Das Hochhaus im Film Vortrag/Film von Thomas Tode, Hamburg
[...]
This show is followed up by Tom Stern and Thomas Tode commentating further film shots which Agatha Christie had not used, mainly those she produced with her 16mm camera at the excavations done by her husband.
[...]
www.uni-kiel.de
[...]
Tom Stern und Thomas Tode kommentieren anschließend weitere, in jenem Werk nicht verendete Aufnahmen von Agatha Chistie, die diese mit einer 16mm-Kamera bei den Grabungen ihres Mannes hergestellt hat.
[...]